The Booming Young Adult Fiction Market
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Young adult fiction is hot right now, especially for older readers ages 14 and up. New publishers and imprints are popping up all the time. Be sure to check out our exclusive interview with Evelyn Fazio, publisher of WestSide Books, in the November issue of Children’s Book Insider. WestSide will debut its list of contemporary, realistic teen fiction in Spring 09.
When I teach writing workshops around the country, I meet aspiring authors who want to try their hand at YA, but sometimes feel a disconnect with the grittier, more realistic fiction being published today. They want to study the market, they want to understand the genre and try to write it, but it’s so different from the novels they read as teens that it feels alien to them. Of course, I’m speaking to those of you over 40 right now. You youngsters can just skip to the next post.
Check out Monica Edinger’s Educating Alice blog post about putting aside her personal prejudices and tastes while serving on the Newbery and NCTE Notable Books committees. Judges have to read outside their comfort zones all the time, and they learn to appreciate literature that they don’t think they’re going to like. If the new crop of YA books makes you squirm, but you’re open to learning what they’re all about, Edinger’s advice may be just the ticket.

it adds depth to your story. Here’s one way:
this talented author, have a look at this excellent interview by Carlie Webber of the Librarilly Blonde blog:
her “Charlie and Lola” books and their television spinoff.
was really mine–is I was just telling the stories that I knew. I knew what it was like to be in sixth grade, and to be in Margaret’s body, because that was my body. Slow growing, slow to develop….So that’s what I wrote about, because it wasn’t there for me when I was young. I didn’t know if anyone would publish it, but it was from the heart. The only thing that works with writing is that you care so passionately about it yourself, that you make someone else care passionately about it. Books that are written to order are awful. It can’t work. Children will see through that and they won’t read it.
Drescher’s credits include Turbulence: A Log Book, Simon’s Book, Hubert the Pudge: A Vegetarian Tale and McFig and McFly: A Tale of Jealousy, Revenge and Death (with a Happy Ending).