Writing Children’s Books: Secrets of Thinking Like a Kid
Wednesday, May 28th, 2008One of the toughest tasks for writers is to get inside the brain of a child. Sure, we all have our own childhood memories, but those can be spotty at best. And even accurate recollections reflect a different time and a different mindset.
The standard advice is to observe and interact with children. Being around kids can give a window into the language and interpersonal dynamics of today’s kids. But even this is far from foolproof. Youngsters are thoroughly aware of an adult’s presence and may simply be trying hard to be on their best behavior. There is another way, however, that is remarkably efficient and is a surefire way to get an accurate picture of the likes, dislikes and passions of kids: read some magazines. (more…)

them.
Rhyming Stories. Often at writers’ conferences editors will say they don’t like stories with rhyming text. That’s not exactly true — rhyming stories are published all the time. What these editors are really objecting to is bad rhyming text. Too many writers try to copy [tag-tec]Dr. Seuss[/tag-tec], the master of the rhymed story. They imitate the form of his work but not the substance. The rhyme is a vehicle to tell the story, not the other way around. It must still follow all the rules of a good picture book: a strong opening, believable characters, an interesting plot, a satisfying ending. Every word must advance the story - you can’t throw in extra phrases simply to complete the rhyme. Consider the opening lines of The Cat in the Hat. In eight short lines Dr. Seuss establishes setting, mood and conflict. Few books written in prose do so much with so little.
like this on Amazon.com: “My new book … is a 550 page novel in words and pictures. But unlike most novels, the images in my new book don’t just illustrate the story; they help tell it. I’ve used the lessons I learned from … masters of the picture book to create something that is not a exactly a novel, not quite a picture book, not really a graphic novel, or a flip book or a movie, but a combination of all these things.”



